A woman with long brown hair wearing a light-colored dress holding a graduation bouquet of mixed flowers, including purple roses and white blooms, wrapped in white paper.
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Image Credit: Emily Cormack

A piece of torn white paper with rough edges on a black background.
Sticker with the number 22 and the words 'Sick Thiccc Pack' on a bright yellow background.

Hi, I’m Victoria, the founder of Soonhope Studio.

Soonhope grew from a lifelong connection to gardens. I grew up surrounded by beautiful gardens kept by my parents and grandparents. My grandparents were always pottering about their garden when we visited, planting, cutting, pruning, and creating colourful displays.

My parents’ garden is mature and full of foliage, surrounded by woodland and fields, and near to the sea. As a child there, I always wished for more colour, but it taught me to notice texture, structure and the way plants sit naturally in a landscape. That way of looking at things still influences my designs now; I love using botanicals, raw materials like wood, stones or other natural objects in my designs to reflect what we see around us here in Scotland.

Today, I’m lucky to live in a home with an old and established garden, designed with a lot of thought and care to change through the seasons. The majority of the flowers I work with are sourced from our family gardens. This year I am also over the moon to be sharing a micro flower farm with Holly Grows in Peeblesshire. Alongside all that, I love working with flowers and botanicals grown by local flower growers in the Lothians and Fife whose work, battling through the Scottish climate, I admire hugely.

A young child with curly blonde hair, wearing a white t-shirt, a blue vest, patterned pants, and white shoes, is reaching out to touch a large bed of colorful flowers in a garden.
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A man holding an object and smiling, outdoors with trees and a stone wall in the background.

The moment I began to think about floral design came while styling my own barn wedding. It was a winter wedding, which meant working with a very limited palette of seasonal materials. That experience made me realise how much I enjoy thinking about flowers as part of a wider setting. Venues, interiors, light, architecture and surrounding landscape all play a role. Flowers, for me, are never just arrangements on a table but part of the overall composition and atmosphere of a place or event.

A bride in a white dress with a veil signs a document at a table decorated with greenery and candles, accompanied by two men in formal attire, in a rustic indoor setting with a brick wall background.
A piece of torn beige paper with rough, uneven edges.
Wooden chairs decorated with greenery and pinecones, arranged for a gathering with lit candles in lanterns along the aisle.
A decorated Christmas tree with lights in the background, and a wooden dining table adorned with Christmas greenery, candles, and bottles of alcohol.

I trained in sustainable floristry with the wonderful Days of Dahlia, building my knowledge of design and growing techniques which are plastic and chemical free. The training also helped me understand and articulate my style within the Scottish floral design community. With my style, seasonality is a given and dried materials a must in the sparser months. Beyond this, I love irregular shapes, negative space, flow, and pieces which are a little unexpected.

Image Credit: Joanne Clenaghan

I’m now based in Edinburgh and also spend much of my time around St Andrews where family are based. I design for weddings, gatherings and spaces across Scotland where atmosphere matters, helping to bring the outside in. If this sounds like the right fit for you, get in touch today.

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Potted plants with colorful flowers and green leaves, lined up along a concrete sidewalk outside a house in a floral designer workshop.
A wicker basket filled with apples, surrounded by green leaves, resting on a tree stump with a white cloth underneath. A unique floral arrangement.
A floral arrangement with pink, white, and yellow flowers in a tall silver vase, placed behind a tray of assorted desserts on a glass table.
The image shows a dark background with a single vertical line in the middle, dividing the space into two halves. The color of the line is not clearly visible due to the darkness.
A windowsill with three glass vases filled with colorful flowers, with trees and a cloudy sky visible outside.